Archive for July, 2007

Boston GuitarFest 2007 Reflections: June 7

Saturday, July 7th, 2007

Cuba Day

For our tribute to the Cuban heritage, we invited two world-class Cuban guitarists: Rene Izquierdo and Joaquin Clerch.

Rene was a wonderful person, extremely warm and personable. He was a great to hang with at the bar every evening as well. Rene was also an incredible teacher; I don’t have any way of describing how complete and effective, not to mention appealing, his teaching was. As a performer he was just as impressive; his playing was full of beautiful and thoughtful phrasing and musicality. He closed his program with his wonderful wife Elena, who whom he performed Brouwer’s beautiful Micro Piezas.

Joaquin was also equally admirable, as he walked around with a smile all the time. His teaching style was quite different from that of Rene’s, but it was every bit as engaging and detailed, and every bit as enjoyable. His program in the evening concert revealed many unknown Cuban works, including some by Brouwer, which he played with fire and intensity.

The “folk” side of Cuba day was led by Arturo Stable, Cuban percussionist, and his Latin Jazz Quartet. Arturo first led us through a very informative workshop about the very interesting history of Cuban music. The afternoon concert featured his original compositions, all of which drew upon the vast and varied idioms of the Cuban musical language. Arturo was formidable behind the congas and whipped up quite the frenzy.

Boston GuitarFest 2007 Reflections: June 6

Saturday, July 7th, 2007

Mexico Day

The day begun with morning master classes and it was quite a line up and a sight: Eliot Fisk, Bruce Holzman, Joaquin Clerch, and Rene Izquierdo. It was a powerhouse faculty, and even as I write, one month after the festival, I am still receiving e-mails from participants about how much they enjoyed the varied and high level of teaching.

Our afternoon workshop was led by Robert Bozina and Son Santa Clara from Santa Clara University in California. It was a fascinating workshop that demonstrated the vast scope and breadth of everything between Mexican and Cuban son. The live ensemble included everything from flutes to guitars, to voice to percussion, and of course, dance. Michelle and Bruce Holzman were dancing on the floor at one point, as were some other members in the audience!

The afternoon concert was equally fascinating, presented by Tlen Huicani, an incredible trio from Veracruz, Mexico. I have never heard or seen anything quite like that Mexican folk harp.

The evening concert would be yet another powerful tribute to the Mexican legacy: it began with a reading of the Segovia-Ponce letters, and the first half of the concert featured Santiago Diaz and Zaira Meneses, both performing the music of Manuel Ponce. The readings set up a beautiful mood for the music while the performers were outstanding.

The second half of the concert featured Tlen Huicani in full force, and they left the audience dazed and astounded.

(I noticed a chill as I sat in Jordan Hall that night–the hall was being fed air conditioning! Thank goodness!)